Get notified when registration opens
The deadline for registration for the Comedy Shorts Award has passed.
If you have a short film or sketch that you think is hilarious, then enter your work for our Comedy Shorts Award to be in with a chance of winning some life-changing support and mentoring from comedy professionals.
WHAT KIND OF FILM ARE YOU LOOKING FOR?
A 1- 6 minute film that can take the form of anything comical. It’s a great opportunity to show us your creative flair and have fun!
WHO CAN ENTER?
This award is open to all women filmmakers and content developers. The film must be an original narrative created, produced and devised by a woman, or women, although male cast and crew members are allowed.
ARE THERE ANY ELIGIBILITY REQUIREMENTS FOR MY FILM?
Yes – we require all films to be 6 minutes or under, to be entirely original dialogue, to not feature brand logos and most importantly, to only use music with the written consent of the performer and/or publisher either personally or via the PRS system https://www.prsformusic.com/ .
WHAT WILL YOU DO WITH MY FILM?
We will broadcast selected entries on our Funny Women YouTube channel and social media (so keep an eye out) and the top 10 finalists’ films will also hosted on a dedicated Funny Women Comedy Shorts Awards page on our website. We will also broadcast the final 3 entries as part of the grand final night.
HOW IS IT JUDGED?
Films are judged for production, concept, delivery/performance, creativity, writing and overall funniness. The top 10 films are then viewed by an independent judging panel of top television and film industry professionals who will choose one overall winner and two runners up. The final three will be invited to attend the grand final in London on the 23rd September.
WHAT CAN I WIN?
2021 Funny Women Awards Prizes
The deadline for registration for the Comedy Shorts Award has passed.
If you need further information please contact us here
Entering Comedy Later in Life
Zoë Browne
Q: What do you get if you cross a loudmouthed gobshite, the patriarchy and a midlife crisis?
A: Me, entering comedy, in my 40s.
Ok, fine, it’s a rubbish joke. I write them now, so I should know. Still, starting out at this – my age – and in this industry? Sometimes I feel like the butt of one. So what on earth possessed me? Why would any woman in her right mind trade a thriving business for an uncertain future in such a highly competitive, male-dominated industry?
The answer? Sheer bloody mindedness. For like many who spent a lifetime using comedy as deflection, who wrench golden nuggets of laughter out of the dog turds of life, I genuinely thought that comedy would be the easiest thing in the world to turn my hand to. How difficult could it be? Very, as it turns out. Stand-up may well be cheaper than therapy – I should know, I’ve done both – but being funny will get you only get you so far. You have to really want it. Luckily for me, I am unrelentingly determined bitch with the hide of a rhino.
But as to why I started this late-life journey into comedy? That’s simple. And, unfortunately, still very relatable. Representation. The older I got, the less I saw women my age on TV. And it’s not just comedy, it’s everywhere. Where are our role models? It’s Emily Atack and Judi Dench with nothing much in between. And no, Loose Women does not count.
Where are all the filthy, funny, flawed women I know and love? The ones that leave me howling with laughter with their inappropriate behaviour and their questionable life choices? All the older women I see Sitcomland fall into three main categories – crazy ex-wife, mumsy mum or menopausal psychopath. It’s boring. Unimaginative. Annoying. And also surprisingly inspiring. Realising that no-one else was going to bring those characters to life, I decided to get up off my arse and write them myself. What a unique perspective, though I – I am niche.
And also, I now realise, incredibly naïve. Yes, I may have gone from bits and pieces stand-up to bits and pieces writer in three years. I may also have bagged a place at the NFTS Writing and Performing Comedy Course on the way too. But I still battle imposter syndrome every time I’m the old lady in the room. Until that is, I remember that age is the ultimate secret weapon – a stash of life experiences, a different outlook and – crucially – a healthy disregard for the rules. For I’m taking the saying, “If there isn’t a chair for you at the table, bring your own chair”, and turning it on its head – I say it’s high time that female comedians, of all ages, made our own table.
Zoë Browne
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