I will never be a shiny retail person

4 minute read
Picture of James Burns

James Burns

They say, that in order to do unpaid internships, you need to be able to make regular withdrawals from “the bank of Mum and Dad”. This is a myth; the bank of Barclays will suffice (or Natwest, or HSBC, or even the Co-Op if you're a real kook.) My overdraft facility allowed me to offer my clueless graduate services for free, for a good four months; but after a while even your bank turfs you out. I had overgrown my warm and cosy interest-free student overdraft cocoon, and found myself out in to the big bad world of thirty-percent interest. It was time to get a job, the kind that pays money.

After handing out a wad of C.V.s, I got called for interview at a designer underwear store. I started envisaging myself selling sexy under-crackers to hot young customers who looked like Tom Hardy and Megan Fox. “They have clearly called me to interview”, I thought to myself, “because I am the type of person that you want to buy sexy undies off;  I'm well turned-out, discreet and sophisticated.'” I imagined future conversations, “What did you do in your early 20s Hannah? ” “Well I'm glad you asked, Oprah, I was a free-lance journalist, and worked in a lingerie shop on the side.” Yeah. Sounds good.

But as I arrived at the store for my interview, the dream of being a pristine retail queen deflated quicker than a chicken fillet popped by a biro. The store was immaculate and sophisticated, the staff were immaculate and sophisticated, the screensaver on my phone is a photo of my cat watching Gregg Wallace on Masterchef; I didn't belong here.

It hadn't occurred to me to prepare for the interview. In retrospect, it would have been a good idea. After a few questions about my experience, Anja, the flawless Scandinavian manager hit me with: “So what do you know about the brand?”. Good question Anja what do I know about the brand? Very good question. I blurted out something about clear branding and clean lines. She then asked me to talk about some current trends, at which point I found myself saying  an arbitrary collection of words:“erm… you see a lot of sports luxe, I know tribal was in for a while.” I sounded like a Mum trying to be down with the kids. The inanities continued as I floundered: “that over-the-top Lana Del Rey look's very big at the moment” (Lana Del Rey, really?). And then it happened again, like a tick; “nice clean lines are big”. That's right Hannah, in fashion they don't like dirt, especially on lines you've nailed it gal.

Anja now tells me that I need to walk around the shop floor for ten minutes, doing “whatever I want”. What did this mean? I lingered self-consciously trying to think of an appropriate action somewhere in between standing still, and pulling a pair of designer Y-fronts over my trousers and lying on the floor in the foetal position making baby noises. In the end, I plumped for picking up a label that had fallen on the floor, before hovering awkwardly near a customer.

Now Anja was going to ask for my “thoughts” on what I had seen in my ten minutes. As we took a turn around the shop floor, a strange thing started to occur; a voice began to speak, it seemed to be coming from the hole in my own face. The voice, which was significantly posher and three octaves higher than my own, started muttering things like “I really like the way you have your lounge-wear sharing a rack with the lingerie; you just discover one whilst you're looking for the other; it's a really organic shopping experience.” As these words spilled out my mouth, I came to the frightful realisation that they had actually been devised by my own brain. Before I could continue, Anja (sweet Anja) cut me off – “yeah they're just sharing a rack at the moment to make room for our sale items.”

“Oh sure. Yeah of course yeah. Organic, yeah”

At the end of the interview Anja told me “We will contact you on Monday saying if you get the job," adding with a head-tilt and shiny smile – "or if you don't." On my way out, it is highly likely that I shouted “CLEAN LINES” a few times more, just for good measure. It is less likely that I will get the job.

But thirty percent interest isn't so bad really, when you think about it.

Hannah Meltzer

You can read Hannah's blog HERE and follow her on Twitter @HannahMeltzer
 

Check these out

From the Funny Women Team

DOUG Needs Your Support!

DOUG is a short comedy horror that follows Daisy Spade, a gardener, as she navigates her brother Doug’s disappearance. Returning to work, she makes the unsettling discovery of

Read More »
Get notified when registration opens

Comedy Shorts Award Entry Requirements

The deadline for registration for the Comedy Shorts Award has passed.

Funny Women NextUp…Comedy Shorts Award

Are you a budding Director? Producer? Screenwriter? Are you collaborating with friends to make a funny video? Then we are looking for YOU!

If you have a short film or sketch that you think is hilarious, then enter your work for our Comedy Shorts Award to be in with a chance of winning some life-changing support and mentoring from comedy professionals.

WHAT KIND OF FILM ARE YOU LOOKING FOR?

A 1- 6 minute film that can take the form of anything comical. It’s a great opportunity to show us your creative flair and have fun!

WHO CAN ENTER?

This award is open to all women filmmakers and content developers. The film must be an original narrative created, produced and devised by a woman, or women, although male cast and crew members are allowed.

ARE THERE ANY ELIGIBILITY REQUIREMENTS FOR MY FILM?

Yes – we require all films to be 6 minutes or under, to be entirely original dialogue, to not feature brand logos and most importantly, to only use music with the written consent of the performer and/or publisher either personally or via the PRS system https://www.prsformusic.com/ .

WHAT WILL YOU DO WITH MY FILM?

We will broadcast selected entries on our Funny Women YouTube channel and social media (so keep an eye out) and the top 10 finalists’ films will also hosted on a dedicated Funny Women Comedy Shorts Awards page on our website. We will also broadcast the final 3 entries as part of the grand final night.

HOW IS IT JUDGED?

Films are judged for production, concept, delivery/performance, creativity, writing and overall funniness. The top 10 films are then viewed by an independent judging panel of top television and film industry professionals who will choose one overall winner and two runners up. The final three will be invited to attend the grand final in London on the 23rd September.

WHAT CAN I WIN?

2021 Funny Women Awards Prizes

The deadline for registration for the Comedy Shorts Award has passed.

If you need further information please contact us here