Get notified when registration opens
The deadline for registration for the Comedy Shorts Award has passed.
If you have a short film or sketch that you think is hilarious, then enter your work for our Comedy Shorts Award to be in with a chance of winning some life-changing support and mentoring from comedy professionals.
WHAT KIND OF FILM ARE YOU LOOKING FOR?
A 1- 6 minute film that can take the form of anything comical. It’s a great opportunity to show us your creative flair and have fun!
WHO CAN ENTER?
This award is open to all women filmmakers and content developers. The film must be an original narrative created, produced and devised by a woman, or women, although male cast and crew members are allowed.
ARE THERE ANY ELIGIBILITY REQUIREMENTS FOR MY FILM?
Yes – we require all films to be 6 minutes or under, to be entirely original dialogue, to not feature brand logos and most importantly, to only use music with the written consent of the performer and/or publisher either personally or via the PRS system https://www.prsformusic.com/ .
WHAT WILL YOU DO WITH MY FILM?
We will broadcast selected entries on our Funny Women YouTube channel and social media (so keep an eye out) and the top 10 finalists’ films will also hosted on a dedicated Funny Women Comedy Shorts Awards page on our website. We will also broadcast the final 3 entries as part of the grand final night.
HOW IS IT JUDGED?
Films are judged for production, concept, delivery/performance, creativity, writing and overall funniness. The top 10 films are then viewed by an independent judging panel of top television and film industry professionals who will choose one overall winner and two runners up. The final three will be invited to attend the grand final in London on the 23rd September.
WHAT CAN I WIN?
2021 Funny Women Awards Prizes
The deadline for registration for the Comedy Shorts Award has passed.
If you need further information please contact us here
Reappraise, reexamine, pivot.
Louise Leigh
Every month we will be inviting our readers to pitch us articles on a theme revealed in our regular newsletter. This month’s theme is ‘resilience’ and Louise Leigh’s pitch caught our eye. Here Louise shares how her sons taught her a thing or two about what resilience means…
It’s March 2020 and I’m listening to the new comic’s ‘Set Text’ Stuart Goldsmith’s Comedian’s Comedian’s Podcast as the realities of lockdown are hitting. He’s asking himself how to operate now that everything has changed. How can he make a living trapped in the house? How can he continue to be himself within these new parameters?
There’s something terribly familiar about the conversation. Is it Deja Vu or have I actually heard it before? And where?
Then it hit me. It’s the same conversation I’ve had at baby groups and in the school playground. When you become a mum, you’re constantly forced to re-appraise your skill-set, reexamine your life goals and pivot like a sofa in a sitcom.
And that’s what resilience is, isn’t it? Hitting a barrier, changing direction, finding a way to keep on going. This summer, my teenage boys (15 and 13) taught me a huge amount about resilience in creative practice. I try to think about it every time I send a pitch, or apply for a big gig or do anything that scares me, comedy-wise.
In the heat of the summer, they entered a Game Jam – a timed, themed computer game-developing competition. They had one weekend to create an entire game from scratch, entering an international field.
They call themselves Trampoline Games (because if they’re not gaming they’re mucking about on the trampoline). Son One does all the programming, teaching himself a whole new coding language, on this occasion. Son Two and Friend do all the music and graphics. For almost every waking hour of a sunny weekend, they toil. Rendering, fixing bugs… stuff I don’t understand. At meals, they are deep in discussions of “laggy physics” (or something – honestly, it’s Greek to me!)
We get to Sunday afternoon. The deadline is at 6pm. Coder Boy is feeling the pressure. The music and graphics are great, but he’s not sure he has the expertise to do justice to their brilliant idea. He tries fixes and workarounds gleaned from online forums, he consults a friend of mine – a comedian with a computer science degree who answers my Twitter callout. He’s still not sure he can make the game behave the way he wants it to.
The atmosphere in the house is incredibly tense. He is incredibly tense. He is alone, battling with his idea, the tools he has available to create it, and the deadline. I can provide only biscuits in support.
The deadline comes. The deadline passes. They haven’t made it.
I hold my sobbing boy – as tall as me – while he tells me this is the last time he’s doing a Game Jam.
Heartbreak. About twenty minutes pass. It’s tea time. The two boys come downstairs and sit at their pasta, chatting. Every sentence begins with two, incredible words: “Next time…”
Hit a barrier. Reappraise skillset. And PIVOT.
You can play their work at Trampoline Games, including the games they have designed since the summer.
Find out what our next theme is by subscribing to our newsletter below.
Louise Leigh
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