Catastrophe is back!

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Picture of Kate Stone

Kate Stone

We fell in love with Sharon Horgan and Rob Delaney’s Channel 4 comedy Catastrophe when it first aired back in January 2015. Back then Sharon and Rob’s characters were learning to live, and maybe even love together after a brief fling resulted in Sharon’s pregnancy.

Now the turbulent lovers are back with a tiny addition to their haphazard unit. Of course, this means a visit from Sharon’s mother-in-law, played brilliantly by Carrie Fisher. We got a sneak peek at the new series.

We loved the brutal honesty of the writing. The mixture of crudity and wit is delicious and Sharon and Rob have really upped their game, sharing every heartache, smile and bowel movement.

The new series of Catastrophe really identifies the trials and tribulations of being a new parent with all the dribbling and unexpected excretion. And that’s just Sharon and Rob.

It’s the bravest programme on television, highlighting that life isn’t perfect and everyone, no matter what their age, is full of shit! Fact.

The second series of Catastrophe begins on Channel 4 on Tuesday 27th October.  

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Funny Women NextUp…Comedy Shorts Award

Are you a budding Director? Producer? Screenwriter? Are you collaborating with friends to make a funny video? Then we are looking for YOU!

If you have a short film or sketch that you think is hilarious, then enter your work for our Comedy Shorts Award to be in with a chance of winning some life-changing support and mentoring from comedy professionals.

WHAT KIND OF FILM ARE YOU LOOKING FOR?

A 1- 6 minute film that can take the form of anything comical. It’s a great opportunity to show us your creative flair and have fun!

WHO CAN ENTER?

This award is open to all women filmmakers and content developers. The film must be an original narrative created, produced and devised by a woman, or women, although male cast and crew members are allowed.

ARE THERE ANY ELIGIBILITY REQUIREMENTS FOR MY FILM?

Yes – we require all films to be 6 minutes or under, to be entirely original dialogue, to not feature brand logos and most importantly, to only use music with the written consent of the performer and/or publisher either personally or via the PRS system https://www.prsformusic.com/ .

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HOW IS IT JUDGED?

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