Fringe First Timer

4 minute read
Picture of James Burns

James Burns

One of my friends starts her comedy routine with “what is a 45 year old doing attempting stand-up?” She wouldn’t know, being 52. Well, sorry – I beat her, I’m 62 and attempted stand-up at the Edinburgh Fringe this year for the first time in my brand new comedy career. 

Accommodation and transport all sorted, I just had to worry about packing. That capsule wardrobe always seems to elude me and I ended up with stonking great case of impractical stuff.

Our flat was amazing – the only thing missing was the promised Wifi! Two dongles later (whatever they are) and we are moved to a new, more connected flat. Shame no cafetiere; wondered whether it was a bit of a waste buying my M&S ground coffee. Sadly the Pound Shop was fresh out of cafetieres. Glad I brought the peanut butter, though.

On the first morning felt as if I had arrived at Glastonbury at midnight with no torch, phone that worked, tent or wellies. I was that prepared. Not that it was wet and nor were we camping! First task – the flyers. Obviously got it very wrong (although felt quite engaging) as I seemed to end up collecting more of other people’s flyers than I had handed out of my own. People seemed sympathetic to the idea that if they really didn’t want the flyer they could use it for picking teeth or propping up the wobbly table in the café. I did, eventually, devise quite an effective technique, though. Walk parallel to target without making eye contact (almost impossible anyway), then turn suddenly on suspect with little jump, talk non-stop while smiling continually and looking him/her straight in the eye. Never failed.

But flyers were nothing, my real anxiety was my performance – the actual reason I went to Edinburgh in the first place. I can’t believe I really did this. Most of my Surrey Mum friends have found joining a book club exciting enough. Why the hell did I agree to this? Still if Jeremy Paxman and Nancy Dell'olio can do it – so could I. I am only talking about five bloody minutes in someone else’s show. Not a full hour of 'moi'.

I wasn't so happy with my first performance. My friend’s show went well. She was very focused, it was her first time at the Fringe too; she has thrown every effort into promotion and production. I know not to interrupt her when she is “in the zone”. Not sure that I’ll ever be in the zone. Still it can only get better I tell myself as I dash off to another show. 

The object is to fit in as many shows as you possibly can. Nobody overruns. That would be very inconsiderate to the next performer; but the trick is to target shows that you want to see in a similar area without thinking you can cross from one side of town to the other; unless of course you are into teleporting. Even the ever-present, ever-patient taxis haven’t learned to do that yet.

At a discussion group entitled 'Breaking down Barriers: Women at the Fringe' hosted by the Fringe Society I learned that 90% of people believe women are not funny. Oh help. It was imperative not to read reviews…chance would be a fine thing. And you could make a show about anything at all…even an ingrown toe nail.

I became the very proud owner of a Promoter Pass. I wore my blue ribbon tag like a mayoral chain around my neck. It got me into many shows and although there was a definite hierarchy of neckwear, it was decidedly better than nothing. It seemed that even eating alone in a restaurant wearing said adornment somehow elevated you from sad lonesome tourist to middle-aged promoter with a purpose. 

I must say that by day four in same jeans I did feel decidedly like a middle-aged promoter with bags under her eyes. It was not the wine – some taken admittedly each night – but the late nights and continual bombardment of the senses with sights and sounds.

Another problem did present itself – a ripped big toe nail requiring treatment and antibiotics. There was no time to spend four hours in A & E. It became a feat (ha-ha) of huge achievement to find someone who could advise and indeed prescribe medication. It wasn’t helped by all the walking/running required between venues; however, the drugs soon kicked in and taking them with a glass of wine didn’t seem to matter at all. 

My performance improved – at least I thought so. One man told me how disappointed he was when he first saw me. Oh dear, I know I’m not tall, blonde and under 25 but he was referring to my armful of tattoos. I thought it would make me more edgy – not quite so much ya ya from Surrey. He was very relieved to discover I had ordered it from Amazon for £2.99. Amazing what they sell! I could see if they could ghost write my next script.

Next? Am I mad? No, just smitten. What a fantastic experience – both as voyeur and performer. When I rang the letting agent to say how impressed we were with the flat she offered an even better deal for next year. How could I resist? How about that big toe nail as a show?

Vicky Peirson

Pictured: Our impression of Vicky's feet in recovery…

Check these out

From the Funny Women Team
Get notified when registration opens

Comedy Shorts Award Entry Requirements

The deadline for registration for the Comedy Shorts Award has passed.

Funny Women NextUp…Comedy Shorts Award

Are you a budding Director? Producer? Screenwriter? Are you collaborating with friends to make a funny video? Then we are looking for YOU!

If you have a short film or sketch that you think is hilarious, then enter your work for our Comedy Shorts Award to be in with a chance of winning some life-changing support and mentoring from comedy professionals.

WHAT KIND OF FILM ARE YOU LOOKING FOR?

A 1- 6 minute film that can take the form of anything comical. It’s a great opportunity to show us your creative flair and have fun!

WHO CAN ENTER?

This award is open to all women filmmakers and content developers. The film must be an original narrative created, produced and devised by a woman, or women, although male cast and crew members are allowed.

ARE THERE ANY ELIGIBILITY REQUIREMENTS FOR MY FILM?

Yes – we require all films to be 6 minutes or under, to be entirely original dialogue, to not feature brand logos and most importantly, to only use music with the written consent of the performer and/or publisher either personally or via the PRS system https://www.prsformusic.com/ .

WHAT WILL YOU DO WITH MY FILM?

We will broadcast selected entries on our Funny Women YouTube channel and social media (so keep an eye out) and the top 10 finalists’ films will also hosted on a dedicated Funny Women Comedy Shorts Awards page on our website. We will also broadcast the final 3 entries as part of the grand final night.

HOW IS IT JUDGED?

Films are judged for production, concept, delivery/performance, creativity, writing and overall funniness. The top 10 films are then viewed by an independent judging panel of top television and film industry professionals who will choose one overall winner and two runners up. The final three will be invited to attend the grand final in London on the 23rd September.

WHAT CAN I WIN?

2021 Funny Women Awards Prizes

The deadline for registration for the Comedy Shorts Award has passed.

If you need further information please contact us here