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If you have a short film or sketch that you think is hilarious, then enter your work for our Comedy Shorts Award to be in with a chance of winning some life-changing support and mentoring from comedy professionals.
WHAT KIND OF FILM ARE YOU LOOKING FOR?
A 1- 6 minute film that can take the form of anything comical. It’s a great opportunity to show us your creative flair and have fun!
WHO CAN ENTER?
This award is open to all women filmmakers and content developers. The film must be an original narrative created, produced and devised by a woman, or women, although male cast and crew members are allowed.
ARE THERE ANY ELIGIBILITY REQUIREMENTS FOR MY FILM?
Yes – we require all films to be 6 minutes or under, to be entirely original dialogue, to not feature brand logos and most importantly, to only use music with the written consent of the performer and/or publisher either personally or via the PRS system https://www.prsformusic.com/ .
WHAT WILL YOU DO WITH MY FILM?
We will broadcast selected entries on our Funny Women YouTube channel and social media (so keep an eye out) and the top 10 finalists’ films will also hosted on a dedicated Funny Women Comedy Shorts Awards page on our website. We will also broadcast the final 3 entries as part of the grand final night.
HOW IS IT JUDGED?
Films are judged for production, concept, delivery/performance, creativity, writing and overall funniness. The top 10 films are then viewed by an independent judging panel of top television and film industry professionals who will choose one overall winner and two runners up. The final three will be invited to attend the grand final in London on the 23rd September.
WHAT CAN I WIN?
2021 Funny Women Awards Prizes
The deadline for registration for the Comedy Shorts Award has passed.
If you need further information please contact us here
Rosalie Minnitt: Clementine
Tash Snaith
Fresh from a successful run at the Edinburgh Fringe 2023, Rosalie Minnitt brings her debut hour Clementine for a week-long stint at Soho Theatre. Read on to hear what Funny Women thought of the show…
Bonkers, whip smart and garishly pink, Clementine is a manic modern day (ish) one-woman Jane Austen novel dipped in glue, coated in glitter and stuffed into a brilliantly written 1-hour show. If you imagine a Bridgerton fever dream, with surreal curiosities like pink toy guns and Sylvanian families thrown in and mix it with the hysteria of modern-day meme and pop culture spanning the last decade, you will have something close to this show. It took me a second to adjust, but its gaudy wildness is marvellous.
Memes, trauma bonding and misdiagnosing ADHD, Clementine compares Gen z’s toxic traits to the toxic treatment of the ‘hysterical’ unmarried women in her twenties (or as Clementine calls them, ‘single sacks of shit’) in Jane Austen’s era, showing us the strange similarities of the two and how Gen z can relate.
In true Austen style there are a few playful satirical jabs throughout the show, as our wealthy main character attends a ball with a 14 layer solid gold corset and chucks her young, poor and recently childless maid (Jackie), killing her off moments after she is introduced. Clementine is also childlike, with toys for sisters, a mood board of dream men (3 of whom are horses) and merrily about gallops on all fours to and fro.
There is an impressive amount of content in this show, which is jam packed with a clever hybrid combination of modern and Austen-style language, sprinkled with puns in every other sentence. A particular crowd favourite was during the climactic main character montage of the story, as Clementine escapes an asylum on a quest to find her spinster Aunt, against a backdrop of loud music and strobe lighting, the voiceover tells us Clementine is slaying and slaying. The crazed fever dream ends happily, with a moral to the story quickly tied up at the end.
While rather niche, this Austen parody has an incredible amount of energy, talent and wit and I thoroughly enjoyed.
You can catch Clementine @ 7:00 PM Weds-Weds 15-29 November at Soho Theatre, grab a ticket here!
Photo Credit: Soho Theatre
Tash Snaith
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