Get notified when registration opens
The deadline for registration for the Comedy Shorts Award has passed.
If you have a short film or sketch that you think is hilarious, then enter your work for our Comedy Shorts Award to be in with a chance of winning some life-changing support and mentoring from comedy professionals.
WHAT KIND OF FILM ARE YOU LOOKING FOR?
A 1- 6 minute film that can take the form of anything comical. It’s a great opportunity to show us your creative flair and have fun!
WHO CAN ENTER?
This award is open to all women filmmakers and content developers. The film must be an original narrative created, produced and devised by a woman, or women, although male cast and crew members are allowed.
ARE THERE ANY ELIGIBILITY REQUIREMENTS FOR MY FILM?
Yes – we require all films to be 6 minutes or under, to be entirely original dialogue, to not feature brand logos and most importantly, to only use music with the written consent of the performer and/or publisher either personally or via the PRS system https://www.prsformusic.com/ .
WHAT WILL YOU DO WITH MY FILM?
We will broadcast selected entries on our Funny Women YouTube channel and social media (so keep an eye out) and the top 10 finalists’ films will also hosted on a dedicated Funny Women Comedy Shorts Awards page on our website. We will also broadcast the final 3 entries as part of the grand final night.
HOW IS IT JUDGED?
Films are judged for production, concept, delivery/performance, creativity, writing and overall funniness. The top 10 films are then viewed by an independent judging panel of top television and film industry professionals who will choose one overall winner and two runners up. The final three will be invited to attend the grand final in London on the 23rd September.
WHAT CAN I WIN?
2021 Funny Women Awards Prizes
The deadline for registration for the Comedy Shorts Award has passed.
If you need further information please contact us here
Her Boobs, My Boobs
Sumitra Mattai
Every month we invite our readers to pitch us articles on a theme revealed in our regular newsletter. Find out what our next theme is by subscribing to our newsletter below. This month’s theme was ‘Glamour’ and Sumitra Mattai has written about the times when she doesn’t feel so glamorous and, in turn, so feminist…
I was making dinner when my twenty-two-year-old live-in babysitter came into the kitchen wearing a thin, cropped, flesh-colored tank top with no bra and spandex shorts. As a mother of two heavy with forty years of my own body issues, I promptly fell into an existential crisis. I wanted to ask her to change, but shaming was a parent’s dirty work, and I wasn’t even related. My kids were asleep and she was technically free to dress like an off-duty superhero. As she told me about my kids’ antics that day, I felt like a spiteful villain grimly stirring a boiling pot.
Soon, I was eating pasta alfredo with the babysitter’s boobs. I had only just stopped nursing my baby daughter, and my own boobs were small and slack in a bra that had been washed so many times, I couldn’t tell what size it was. Across from her, I felt frumpy in the same button-down and wrinkled trousers I’d worn to work, one of the few ensembles left after a brutal reckoning with my wardrobe. All the clothing I loved but couldn’t fit into, the remnants of my former self, now lived in the purgatory of a bright blue IKEA bag. I was exhausted and didn’t feel like thinking about my boobs or her boobs. Annoyed with myself for not speaking up, I stuffed my face with pasta and tried to avoid the confrontational gaze of her nipples.
Live-in caregivers had been a part of my life on and off for a few years, since a new job, a new house, and my husband’s travel schedule left me too often in the lurch. But I wasn’t used to outsiders in my home. Growing up, my sixty-something-year-old Guyanese great aunt, a mother to eight children of her own, kept me and my baby sister alive while watching a full lineup of soap operas. Every night, she applied cotton balls soaked with rubbing alcohol to her varicose veins. In the morning, I watched her change before her prayers. Her boobs were the longest I’d ever seen, resting on her belly like partially deflated balloons.
But this was a different time. I was barely in contact with my own aunts, and there was no world in which any of them was going to stay in my house and take care of my kids so I could “have it all.” I needed help, even if it came in a crop top.
I felt trapped that night and burdened with my own insecurities. I had been a chubby kid, a bulimic teen, and a sexually repressed young adult. I never wanted to be the kind of woman who was threatened by the body of a twenty-two-year-old girl. But even feminists have blind spots.
Ultimately I knew that everything – my kids, my marriage, my job – rested on me having faith in myself. There was no glamour in shame and self-loathing. I had to make peace with my age and my body – and if not now, when? At fifty? Sixty? My metabolism was slowing down, but time was speeding up. At least modern bras ensured that my boobs would never be as long as my great aunt’s. If that’s not progress, I don’t know what is.
Sumitra Mattai
You might also enjoy
Review: Izzy Goessens’ Crumble
Read More »Review: Bed Boy, Celine Kuklowsky
Read More »Funny Women Live at the Comedy Store – no fooling!
Read More »Craic Founder discusses future of Comedy with Ministers
Read More »Q&A: Natalie Durkin, Polly: A 21st Century Love Story
Read More »Q&A : Catherine Abbott, Becoming Victoria Wood
Read More »February Gig Guide
Read More »Female Pilot Club launch Film and TV Script Festival
Read More »Check these out
‘BEST IN CLASS’ ANNOUNCE 2026 LINE UP
The selected acts will work alongside Best in Class directors Sian Davies, Tom Mayhew and Dani Johns to plan and deliver the Fringe showcase. As well as performing, the scheme offers invaluable insight into Fringe planning and production, opening doors to future solo shows while building networks, experience and confidence.
Female Pilot Club launch Film and TV Script Festival
After 8 sell-out live showcases and 2 sell-out sketch show runs and a collaboration with Funny Women and Gobby Girls , FPC have announced their first ever Film and TV Script Festival.
Q&A : Catherine Abbott, Becoming Victoria Wood
Catherine Abbott grew up in the Midlands and is now based in Glasgow. She has been directing for 15 years. Her recent film Becoming Victoria Wood has just
Harriet Dyer, Lindsey Santoro & Amy Mason launch Podcast
Known for off-kilter anecdotes and unfiltered stand-up, friends HARRIET DYER (LIVE AT THE APOLLO, 8 OUT OF 10 CATS DOES COUNTDOWN), LINDSEY SANTORO (LIVE AT THE APOLLO, R4) and AMY MASON (R1, 25+ million views TikTok), launch new podcast SOCIAL MOTHS, exploring the struggle to socialise in 2026.