Get notified when registration opens
The deadline for registration for the Comedy Shorts Award has passed.
If you have a short film or sketch that you think is hilarious, then enter your work for our Comedy Shorts Award to be in with a chance of winning some life-changing support and mentoring from comedy professionals.
WHAT KIND OF FILM ARE YOU LOOKING FOR?
A 1- 6 minute film that can take the form of anything comical. It’s a great opportunity to show us your creative flair and have fun!
WHO CAN ENTER?
This award is open to all women filmmakers and content developers. The film must be an original narrative created, produced and devised by a woman, or women, although male cast and crew members are allowed.
ARE THERE ANY ELIGIBILITY REQUIREMENTS FOR MY FILM?
Yes – we require all films to be 6 minutes or under, to be entirely original dialogue, to not feature brand logos and most importantly, to only use music with the written consent of the performer and/or publisher either personally or via the PRS system https://www.prsformusic.com/ .
WHAT WILL YOU DO WITH MY FILM?
We will broadcast selected entries on our Funny Women YouTube channel and social media (so keep an eye out) and the top 10 finalists’ films will also hosted on a dedicated Funny Women Comedy Shorts Awards page on our website. We will also broadcast the final 3 entries as part of the grand final night.
HOW IS IT JUDGED?
Films are judged for production, concept, delivery/performance, creativity, writing and overall funniness. The top 10 films are then viewed by an independent judging panel of top television and film industry professionals who will choose one overall winner and two runners up. The final three will be invited to attend the grand final in London on the 23rd September.
WHAT CAN I WIN?
2021 Funny Women Awards Prizes
The deadline for registration for the Comedy Shorts Award has passed.
If you need further information please contact us here
Why Marcie Dahlgren-Frost is a Comedy Icon
Kate Stone
When it comes to female characters there appears to be an odd belief that there are few examples of them in comedy, specifically examples who could be held up as comedic role models. I seem to have some extra time on my hands right now and rather than rearrange my wardrobe I have decided to dedicate an essay each to the fictional girls and women who deserve more recognition for their comedy.
It wasn’t particularly well-reviewed when it was released but if you’re looking for a heart-warming John Candy film you could do worse than Uncle Buck (like Trains, Planes and Automobiles for instance). It’s a classic John Hughes family film without the iffy make-overs or, uh, sexual assault. John Candy is, well he’s John Candy in it, joined by a very cute Macauley Culkin and Gaby Hoffman as well as Laurie Metcalf in the small but high impact role of Marcie Dahlgren-Frost.
If you haven’t watched Uncle Buck, or if it’s been a while, here’s a quick run down. Suburban couple reluctantly leave their three children in the care of Uncle Buck, who smokes, drinks, bowls and bets, in order to fly out to a sick parent. Uncle Buck, in spite of his smoking habit, winds up bringing this family back together.
In spite of John Candy’s best efforts as Uncle Buck, Marcie Dahlgren-Frost is easily the weirdest and funniest character in the entire film and with one line steals the whole show. You cannot watch Uncle Buck without bellowing: “Is there a big sexy guy in here” as the credits roll. In fact, I think it is against the law.
Marcie Dahlgren-Frost knows exactly who she is, a strong divorcée who prefers to keep the hyphen in her name. Her character is a brilliant example of all the directions you can go in with a suburban woman, there is no need for her to be dowdy or sensible or, for that matter, married. She can be a commanding woman in jodhpurs who will make you dance with her.
From the second you see Marcie Dahlgren-Frost creeping into the family home Uncle Buck is house/babysitting in, you are transfixed. And if you aren’t you are dead inside. From her heavy make up, to her huge hair band to her snakeskin jacket she is rather an arresting figure. And then you hear that voice, that loud, low and confident voice that lets you know you want to be this woman when you grow up.
Anyone else walking into their friend’s home and hearing an unfamiliar male voice causing a violent racket would call the police, but not Marcie Dahlgren-Frost, oh no. This woman’s middle name is danger and she investigates such things.
Considering ultimately Marcie Dahlgren-Frost’s character is used as a farcical device to make Uncle Buck’s long-suffering girlfriend think he’s cheating on her for about five minutes, the impact she has on the film is impressive. It just goes to show there are no small parts and that Marcie Dahlgren-Frost is a comedy icon.
If you have a character you’d like to suggest for this, then tweet me @funnywomened
Read why Mama Fratelli is a comedy icon here!
Read why Sister Mary Patrick is a comedy icon here!
Read why Dionne Davenport is a comedy icon here!
Read why Megan Bloomfield is a comedy icon here!
Read why Miss Piggy is a comedy icon here!
Read why Aunt Hilda is a comedy icon here!
Read why Maddy Magellan is a comedy icon here!
Read why Elizabeth Cronin is a comedy icon here!
Read why Jane Lane is a comedy icon here!
Read why Lisa Landry is a comedy icon here!
Read why Dorothy Zbornak is a comedy icon here!
Read why Anne Shirley is a comedy icon here!
Read why Wednesday Addams is a comedy icon here!
Read why Marmalade Atkins is a comedy icon here!
Read why Tracy Beaker is a comedy icon here!
Read why Daria Morgendorffer is a comedy icon here!
Read why Anastasia Krupnik is a comedy icon here!
Read why Helga Pataki is a comedy icon here!
Kate Stone
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